The Watching Dead - The Walking Dead is Making My Brain Mushy

Who arranged this playdate?

TVisAwesome is back and better than ever! Man, I love this blog. But my former format, while awwwwesommme and thoroughly rewarding, was a lot of work. A lot. SO now we are entering TVisAwesome version 2.0: same awesome, now in bite-size bits! Sometimes, like this entry, I'll go a little longer. But I envision some fast blast entries just so I can get some things out into the world. Let's see how this goes. (Ed. Note: Now that I have re-read this entry, I see that it is exactly like everything I've ever done. So bite-sized versions will be soon, rather than now. Carry on.)

Oh my god, they're still walking.

I watched the last four episodes of TWD all in a row last night (yeah!). And here is what's clear: while still amazing, wow was it getting sluggish and dare I say, boring? I'll tell you how I know some parts were slooowwww: I WAS FAST FORWARDING THROUGH PARTS OF THE SHOW. I never thought I would say those words. But there I was, with my finger on the button, saying to myself "yup, still walking on the tracks... still walking on the tracks."  Good grief, enough of the character development! Let's move some things along here! Having said this, some of the backstory has been good: Carl is growing before our eyes and we needed to see how his emergence into adulthood would transpire (typical teen angst + pudding, evidently), and the Michonne flashbacks were interesting and... let me check. Nope that's about it. We already know all about Daryl and his history and he's a tough guy with a warn heart yada yada yada. We already know that Beth-girl believes that people are good, or some bullshit. The entire episode about Bob (we don't care about his back story - fast forward) and Maggie and Sasha could literally have been 10 minutes. I guess we learned some new stuff along the way, like peeps going to D.C.,  a gang of ne'er-do-wells roaming around and of course, Terminus.

Bad. This is really, really bad.

But I change my tune when we get to last week's episode: the entire episode was a masterpiece. A devastating masterpiece. Slow? Maybe. But the layers of what's happening in this episode blows away any "let's just live up high somewhere" or "Daryl, y u so ornery" back-and-forth from the previous episodes. This episode painfully exposes where everyone's mindset is now. In a nutshell, the world is shit and there are no easy answers and sometimes the people are scarier than the zombies. Mika is very certain that she can kill walkers but not live people. "Never" she says. Carol says "but what if they're trying to kill you?" Damn fine foreshadowing if I ever saw it... in two ways: poor Mika gets killed in the very way Carol was trying to warn her about, and Carol has to do what Mika said she never would. Excruciatingly well crafted, this episode was riveting and I cried so hard for so long, I could barely see by the end. The opening scene, with it's idyllic kitchen setting and lace curtains, offset by what we learn is Lizzie playing with her friend Iwanto Eatu, was so jarring that I rewound it twice (I was sure I had missed some type of context for this). By the time we get to that actual scene in the show, all bets are off with Lizzie. But  nothing could prepare us for the actual sight of Lizzie, hands dripping with blood, a stabbed and dead Mika behind her, and baby Judith on a blanket. She is one messed up little girl, and we all know what has to happen. I suppose the part Tyrese plays in agreeing with Carol that Lizzie needs to die (because "she can't be around people") somewhat lessens the second blow to him that day: when Carol reveals that it was she who killed his love Karen. As Tyrese says, Carol feels the heaviness of what she did and it will be with her forever. (We know this awareness is a recent development for Carol - that she only feels the full impact of her actions now that she had to kill Lizzie). In one of the best, most poignent scenes of the year, over puzzle pieces and a gun, Tyrese forgives her.

Can't stay here anymore

The struggle of finding normalcy in this screwed up world is an ongoing theme with TWD, and ever more so this season. What I find interesting this season is how the show continues to demonstrate that pre-zombie normalcy (this idyllic little house, the house where Daryl and Beth were (normal for Daryl), the funeral parlor, a place up high for Sasha, even the great set up at the prison) is ultimately unattainable. Which I get. But for some reason, it's almost like the desire for normalcy is pitted against the desire to be with other people. Like it's one or the other, and somehow the people win out. Sasha voices this most clearly: "what the hell are we doing out here? Let's just find someplace up high and find food and forage, etc." Why is that a crazy idea? The show itself seems kind of inconsistent in what it thinks, too. In the most insane debate, Bob says he needs to go with Maggie because "she's all alone," leaving Sasha... literally all alone. Um, what? In the end, I don't think the show is necessarily thinking some of these discussions through, and they're probably not trying to convey some big life lesson. They're just trying to get these peeps to Terminus. That's where the good stuff is gonna happen. I bet.

Other Stuff:
- I was just thinking of what it's gonna be like when everyone gets to Terminus. Rick told Carol she couldn't be with the group because he couldn't let her near his kids. Well, there's some irony now.
- I appreciated this Lizzie storyline for being a pick-up from the comic, although not directly (in comic, it's actually Carl who steps up and takes out psycho kid). It's pretty genius how they get some comic stuff into the TV show in different contexts and with different characters and have it make an impact.

- where's that baby? Yeah, yeah... she's probably in a backpack on Tyrese's back, but this was a long scene with no baby and I swear Tyrese turns and I couldn't see anything. Anyway, how lucky is everyone that Judith is a dream baby without colic, or hunger pains, or ear infections, etc.
- One overall thing that's been bugging me this season: While the gang was still at the prison, a really big deal was made about Daryl, Michonne and others going far and wide to scavenge, report back, etc. After the prison, with a weak Rick so you know they didn't go far, how the heck had no one been to that cafe place? how has no one seen Terminus signs before? what kind of trackers are these people? Where did they go all those months? I mean, besides the vet hospital, I guess.

A Truck Full of Zombies - The Walking Dead Episodes 9 & 10

This means war. I bet.

So let's sum up the last two Walking Dead episodes (The Suicide King and Home) this way: 1 hour and 45 minutes of DUMB and 15 minutes of such sheer BRILLIANCE that it makes up for previous stated DUMB.

Cray-cray

After lulling us into a state of aggravation and boredom with the dumb (seriously, I was getting Season-2-in-the-abandoned-church-in-the-middle-of-the-woods-looking-for-Sophia aggravated. Wait, that might not be fair... I don't think I was ever as aggravated as watching The Suicide King.), that single shot out of nowhere hitting Axel as he's talking to Carol was fantastic! We all knew The Governor was coming, although it seems like Hershel was a little slow on that concept, but I just love the suddenness of that scene. No forewarning, no long shots of The Governor driving towards the prison, just blam - Axel down! (Here is where we should talk about "why weren't they better prepared for an attack? why did they think they had so much time? why was no one on lookout?" etc. but that's all part of the dumb and I will save all that for my List of Gripes below.) And then it was blam blam blam - Hershel is in the grass! Rick is outside the gate! The Governor was gleefully just raining bullets onto them! And THEN THEY DROVE A TRUCK FULL OF ZOMBIES INTO THE PRISON! Two-fold terrifying awesomeness here because there's truckload of zombies in the prison but also the gate is now demolished. These last 15 minutes of Home hopefully will set the tone for the rest of the season and the pace will stay steadily manic, just how we like it.

Before we get to my List of Gripes (also known as The Dumb), let me assure you that I understand the context of where we are/were in the show as of last week: Even though we (viewers) got a big break, time hasn't moved on for our survivors. The baby is only a week old we're told! So, yes, I get it: in the context of the show, Lori JUST died, Glenn and Maggie were JUST saved and Rick probably hasn't slept in 100 years. But why come back to us with a sluggish, seemingly contrived character set-up for many of our friends (I'm looking at you Andrea!)? Hindsight is 20-20 I guess and you could argue that the entire The Suicide King episode was solely to set up the last 15 minutes of Home, but I must point out the following Gripes:

Andrea

Hear my words of inspiration! Even though
I have no idea what's happening! 

I mean, seriously... what the actual HELL is going on here? Are we to believe that she is so blinded by finding comfort in a walled community and in the arms of some dude that she will turn a blind eye (no pun intended) to the depravity that surrounds her at every turn? Let's take stock for a minute...  what does she know? By my calculations she has seen The Governor's zombie heads, seen the little zombie girl he locked up, she has Michonne telling her he's awful (and she SHOULD trust her more than anyone), she has witnessed more than one pit fight, including one that set Daryl against Merle...with zombies! She now knows that Maggie and Glenn and Daryl were all there and The Governor didn't tell her. So this all rolls up to "get me the hell out of here!" right? Somehow, no. Somehow this results in her immediately telling The Governor not to push her away and then becoming the worst soliloquy deliverer de facto spokesperson for the Woodbury community. Barf. I suppose it's telling that she didn't put a bullet in that guy's head before The Governor did. Old Andrea wouldn't have hesitated for a second. I know the show wants us to see that she's getting too comfy, and I could buy that if she was more sheltered from the shit she has seen, but given what we know, I have to interpret this as D-U-M-B. Andrea better wake up superfast, or is our kick-ass Andrea becoming the new *gasp* Lori?

Michonne

The  Glenn-Michonne plan was not to be

I am so frustrated by how the show is portraying Michonne. Yes, yes... she is soooo independent. She keeps to herself. She doesn't trust anyone. Okay already. Can she at least say three words? Like "I know Andrea" would have been helpful before Merle said it. And as I said before, I get that Michonne is still 'new' to the team in the context of the show, but haven't we spent enough time with her character that she can, you know, open up a little bit? Especially with Rick. I understand that Rick is "walking Crazytown" (Glenn's words), but he should be able to see by now that Michonne knows what's up. She brought baby formula! It's hair-pullingly frustrating to watch her not speak. And ridiculous at this point.  Get on with it! I have to say, however, that I was encouraged to see in Home that she talked about what she knew about The Governor (heads as trophies, etc.) and I was getting psyched for the Glenn-Michonne attack plan, but alas, The Governor beat them to it.

Rick's Psychotic Episode

Wait, I have to look at this now? BAH!

I just don't even know what to say about this one. I guess in hindsight maybe the show felt they needed this to get Rick outside the gates when The Governor attacks? But damn this is so contrived and for me, totally unnecessary (I mean he could have been outside the gates for some other reason). And as far as trying to show us just how damaged Rick is, yes, yes, Rick's mind is exploding. He has a new baby and a dead wife. Psychotic break and all that. We got that from the telephone. But actually showing us Ghost Lori in a white dress flitting about the forest? BAH! I say BAH! I mean chuck-something-at-the-TV BAH!

** End List of Gripes **

I haven't even talked about Daryl and Merle yet! The fact that Daryl chose to go with Merle broke my heart. Yeah I got it, he had guilt about leaving him on the roof and big brother stuff, but ugh... how horrible. So to see Daryl wake up to himself in the woods and give that nasty Merle what-for, that was solid character development there. Aside: clever visual clue that Daryl was starting to trust himself more when Merle is telling him that the river is not whatever river Daryl said it was, and then we see the sign that it is. So what are they going to do with Merle now, now that he's essentially helping to save Rick from zombies? My guess is lock him up in a cell, if they even let him in at all. I still think this is all part of The Governor's plan to get Merle into the prison and then Merle takes them out from inside.

Other Stuff: 
- I'm not sure how to feel about Glenn and Maggie. I am thoroughly enjoying raged-out Glenn and he has every single right to be. I don't get the Maggie part of making what happened with The Governor somehow come between them. But this all seems to be resolving itself anyway.
- I wonder if Tyrese and his clan hear the commotion and come back to help out?
- Poor Carol! This chick has endured some shit, amirite? Abusive husband, dead zombie daughter, Daryl chooses Merle over her (essentially), and the dude who's kind of into her drops dead right next to her (although she uses his body as a shield so that's good). I wonder how she'll respond to Daryl coming back? In her speech to Beth (aka the only one who takes care of that baby!), she says she feels like she's a different person, but if Ed came through the door, she'd like to think she'd kick him out but she's not sure. Is this foreshadowing that she is going to distance herself from Daryl? Or is this clever symmetry that Carol is musing over her abusive relationship at the same time Daryl is essentially coming to his own realization that the abuse he endured will not define him any longer? I hope for the latter and that these two will be BFFs again.
- Was anyone else hoping that Hershel had some sleepy drug up his sleeve that he would just inject Rick with to make him sleep. Don't they know that a nice nap makes everything better? No naps for these peeps for a long time now.

What do you think of Rick's psychotic break? Is Ghost Lori just too damn much? What will they do with Merle? Will Andrea wake up and start kicking ass or what? Does anyone even know/give a crap what Carl is doing anymore? Break it down for me in the comments!

The Walking Dead - We're Shooting Live People Now, Folks

Woo-hoo! The Walking Dead returned last night and did not disappoint. Of course, that does not mean that it was without flaws (I'm talking to you, Lori), which we will explore. But as far as sustaining the intensity and emotional weight of mid-season episode (Pretty Much Dead Already), this episode, Nebraska, did not miss a beat and continued to move characters and plots forward. At one point, I said outloud "For a show about dead people, it's very emotional." Then I wiped a tear away, because, you know... poor Carol. And everyone.



Continuing with last week's back and forth with Guest Blogger KC, here we go again:


LCT: First impressions: whoa... literally picking up where it left off! Awesome. 


KC: Okay, so at the end of the episode I said  out loud (to my cats), "Fuck yeah, that's an episode of The Walking Dead!" Totally had the same thought as you at the beginning of the episode, whoa... picking up where they left off... and it was incredibly intense, no music, just the hum of insects, the blond woman (Herschel's stepdaughter? I have trouble keeping straight some of the supporting cast) going to her mother's body and boom! not dead!  Only to get a pick axe through the head, courtesy of Andrea.

"My little girl died a long time ago." *sob*

LCT: Poor, poor Carol. My heart breaks for her. I thought she was going to kill herself. Interesting that she didn't.


KC: Yes, poor, poor Carol - how interesting that Shane was the one to comfort her when she came back from the woods.  It was a beautiful scene and helped bring some depth back to Shane who I've found frustratingly one-note lately.


LCT: Hmmmm I think I might have had a different reaction to the Shane/Carol scene... I think it was comforting to him to get all that stuff of his chest and yes, possibly brought some humanity back to his character. But I don't think she necessarily was comforted by any of what he was doing or saying. She really is just letting him do his thing because she's so lost/grief-stricken/ out-of-her-mind. She doesn't give any indication that she is comforted... Well, I guess other than staying there. I think she's numb more than comforted. Also relating to this scene, P says "Is she like Jesus having her hands washed?" Damn. I have to think about that. My initial feeling is that the visual symbolism is more of Shane trying to wash away his deeds. This is more cathartic for him than her. But interesting point... are they going to set up Carol as some sort of leader of faith or something? She'll be the one character who doesn't give up on hope? Right now I think not. She's beyond despair.


KC: Yes, I agree that Carol wasn't actually getting any comfort from Shane during that scene (she almost seems catatonic?), but I appreciated it more for Shane trying to justify his actions and showing that he had doubts/complicated feelings about what he had done.  Love P's thought about the imagery of the scene.


LCT: Daryl.


KC: Daryl... rocks.  Does it get any better than Daryl calling Lori "Olive Oyl"?

Olive Oyl, why you so stupid?

LCT: I hate Lori so much that I was actively rooting for her to die. She's going into town BY HERSELF like an asshole? She deserves whatever is coming at her. Here's the question: better for her to just die in crash or become walker?


KC: Fucking Lori - OF COURSE she goes into town by herself because she's an idiot.  My prediction is that she does not die in the crash, does not become a walker, but does lose the baby.  I wouldn't put it past them if they did something more shocking though.


LCT: I'm pretty sure I want that walker to chomp Lori in the eyeball.


KC: The more I think about Lori driving off by herself, the more I think that it's just bad writing.  Her behavior was beyond ridiculous.  Why didn't she tell anyone?  Why put herself at risk that way?  It seems like the writers needed another dramatic event to happen rather than something the character would actually have done in that situation.  Die, Lori.

New livies spell Trouble with a capital T

LCT: Verrrrrrrry interesting about new livies (<-- what I am calling live people). I mean none of these peeps knew each other before they were thrown together. Not everyone that made up this group was a bag of roses... Carol's hubby? Also, they had gone back for douchebag on the roof (Daryl's bro) in Season 1. This was part of the whole dynamic of Season 1 - you can't really pick and choose with whom you're surviving. But now they are. Picking and choosing. Totally whole new dark awful world these days.


KC: New livies (like that nickname!) - my first reaction was, hey it's that dude who was the killer from Season 1 "True Blood".  Great scene. I thought it was fantastic how there was a growing feeling of menace as Rick starts to sense that these guys are trouble.  I was very surprised with his reaction - he's embraced this new dark awful world order.  I think what pushed him over the edge was hearing from the new livies that Fort Benning was gone.  Was it my imagination or did Herschel give Rick a look of newfound admiration after he did the deed?


LCT: Did I say there was a new Sheriff in town? Dude's even got a badass theme song by Clutch (The Regulator). Fucking shooting people, real life people. Damn. Those troublemakers were asking for it with the marking of their territory/pissing on the floor. Oh, and trying to shoot him. They got him on a really bad day.

The Regulator

KC: One thing we haven't talked about... the funeral scene.  I liked how the final shot was from above, sort of eye of God, as the characters all walked off in different directions.


LCT: This was another scene where I felt it was so emotional in its absolute absence of emotion. This show is amazing in its ability to juxtapose this battle of "are these people or monsters." I thought the shot being from above made it feel more distant/ removed from emotion.  

KC: One more thing, I laughed when the arm fell off the truck and Andrea had to go back for it.  Gallows humor.

LCT: Arm off truck... Hahaha! Here's the beauty of this show, I had to sit and think "can that arm grab her if not attached?" Let's just say I'm on edge when there's a pile of walkers around.

KC Additional Thoughts: 


- If looks could kill: you think Dale will go after Shane at some point?


- Just die, Lori, just DIE ALREADY!!


- My cats are also unhappy with Lori.

LCT Additional Thoughts:

- When new livies showed up I said out loud "Oh please tell me this isn't The Governor... I can't take it this early." Readers of GNs will understand. 

- Another thought on showdown in the bar... this whole thing is bringing to light that the bigger danger is probably NOT walkers, but other people. We know how walkers behave and how to deal with them, but people are unknowns. Danger, danger (*robot arms waving*)

- Will Daryl be Carol's reason for living now?

- Back to your observation last week about characters saying same thing over and over, this is true in spades in the bar with Herschel saying hope is gone. Over and over. And Rick saying yeah, but other peeps have hope still. Over and over. But they are supporting my awesome thesis of last week sort if, so I give it a thumbs up. ;)

Comments? Thoughts? Do you think Lori had any reason to be going into town by herself? What about Maggie and Glen? Have they found love in a hopeless place? Hit the comment section below with your thoughts!